If you’ve read my blog recently, you know I’ve got a thing going on with Margaret Atwood–I am attempting to read her back catalogue in chronological order. I’ve gotten as far as Cat’s Eye, released in 1988. Some of her most popular work has been released after 1990, like the Oryx and Crake series, but I’m basically clueless about her newer work. So, when I heard she had a new book coming out in 2015, based on a serial she had been publishing online, I was all aboard.
There’s a lot of reasons to read Margaret Atwood–she’s quirky without being annoying or cute. (Never, ever is she cute.) The way she blends science fiction, gender issues, and Canada is one of those things readers needed without knowing they needed. Her language is in turns poetic and flowery and sharp as a knife. And The Heart Goes Last, while at times perplexing, did not disappoint.
The Heart Goes Last is about a modern couple named Stan and Charmaine who are living in their car after the economic collapse of the United States. They are offered the chance to trade freedom for comfort by joining The Positron Project in Consilience, a town where people alternate between being prisoners and living comfortable, dictated lives. It’s basically a city run by a corporation that gets people to sell their lives and bodies as a way of escaping the starvation and crime on the outside. All Hail Our Kindly Corporate Overlords.
It reminds me a lot of Super Sad True Love Story by Gary Shteyngart in the way it uses dark humor to shine a light on how very messed up society is and can become. Also, the fact that sex robots were a major plot point and nearly all of the characters are insufferable narcissists and/or insufferable idiots makes The Heart Goes Last kind of Shteyngart-esque.
Not that The Heart Goes Last was all sex robots and hand-wringing about materialism. I’ve read present day dystopian/speculative novels that focus on social media, like the above-mentioned Super Sad True Love Story and The Affinities by Robert Charles Wilson, and they’re certainly of the moment but sometimes they feel a little naggy, like your aunt complaining about selfies at Thanksgiving. The Heart Goes Last is different—it focuses on how economic disparities and excessive corporate power can erode individual choice, and it isn’t concerned about Facebook. Although it is sometimes absurd, the premise isn’t completely far-fetched. Because of this, The Heart Goes Last could have been a truly spooky dystopian, a la 1984, but instead it was…funny.
The dark humor lent the novel a satirical flair, but I don’t find The Heart Goes Last anywhere near as scary as I find The Handmaid’s Tale (published by Atwood in 1985), and I think The Handmaid’s Tale is more effective because of its earnestness. I certainly recommend The Heart Goes Last, but my answer to the question “What Margaret Atwood book should I start with?” has not changed. (It’s still The Handmaid’s Tale, because I will never shut up about that book.)
This is the downside to being a Great Living Writer. Jerks like me will always compare the old to the new. But I find Atwood’s bibliography so interesting in the way it flows from one book to another like one decades long conversation. They’re all different, but the ideas build on one another. Which is why I’m glad I took the time to read them in order (with the exception of this one), and why I’m glad she’s still writing. Because if The Heart Goes Last is any indication, Margaret Atwood in 2015 is still taking valuable and interesting risks with her writing.
Let me know what you thought of The Heart Goes Last in the comments below. Bonus questions: Do you have a favorite Margaret Atwood book? Are you from Canada? Is it as cold there as they say?