The thing about thrillers is that they’re not about characters, or even plot, but how it all comes together in the reading experience. A thriller needs to shock and surprise in order to be successful. It needs to be unputdownable. The more thrillers I read, the harder this is to achieve – like some sort of literary high, my tolerance for twists has risen. I read The Girl on the Train. It was okay. I read The Woman in the Window. It was okay. Still, I wait to be thrilled.
Baby Teeth doesn’t try to be one of those books but because it’s a dark thriller, I anticipate it will be compared to them. It’s different, though – I appreciate the uniqueness of its story and the characters, its lack of a mysterious dead woman driving the plot. Most of all, I admit that once I got into the meat of the story, I had trouble putting it down.
The plot: a beautiful couple has a child, Hanna, who is non-verbal and keeps getting kicked out of schools. Suzette, a stay at home mother, has seen her child’s dark side, but the father, Alex, only sees her as a sweet eight year old girl. The story alternates between Suzette’s and Hanna’s perspectives. As the story builds, Hanna takes on the persona of a witch, and starts to plan her mother’s demise. The character’s darkness rises and it drew me in, unable to look away as the story got more and more twisted.
Then, it falls flat. I’m going to talk about the ending of the book, so stop reading here if you want to avoid spoilers.